Frick and Friends

I know, I have about 3 memes to catch up with in the next few days!  :)

At the beginning of the week, it rained, which turned to sleet, which turned to wet snow.  

It stuck a little bit.

It would not have been nice if the wet roads had frozen, but at the most it settled, became slushy.  By Wednesday all was reduced to a falling mist which obscured the tops of buildings.  On Thursday, the sun was laser bright.

But today there was a snowstorm that had the city scrambling to salt the roads.  Like clockwork, half the neighborhood was out shoveling driveways and scraping the sidewalks because the snow turned to sleet which is fast becoming freezing rain as darkness falls.  Ooh, I think I just saw some winter lightning, yep, and there's the thunder.

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Thursday, the day of falling mist, I went into town to meet fellow blogger Rick (oh he of Palm Springs fame) for breakfast at the Waldorf-Astoria, which is the done thing, like tea at the Ritz.

A couple of jetsetters are we, to meet twice in the same year in two different world cities.  I enjoy this tradition and hope it continues.

Eggs Benedict seems to be the dish of choice for breakfast, but as I was not very hungry I had a bagel instead and now regret that decision because I am not likely to go back anytime soon.

The Waldorf-Astoria is one of the most beautiful hotels I have ever seen.  Like the city of New York, it is full of Art Deco detail (the present incarnation of the W-A having been opened in 1931), so much that my eyes were overwhelmed and I would have taken photos of the corners of everything if I hadn't felt so self conscious about it.

The Waldorf-Astoria looms over St Bartholomew's 

So I made do with a quick shot of one of the elevator doors

...And a view of the Park Avenue (exterior) lobby.  The Main (interior) lobby was more like the heart:  darker and warmer, with an ezquisite central clock flanked by the Peacock Alley restaurant.

After breakfast, I wandered into St Bartholomew's for the midday Holy Eucharist but left before it started because the only people in there were two Polish women gossiping behind me, a businessman who went to the front to pray for a few minutes, and the permanent fixtures, a handful of snoring bums installed at the ends of the pews.  I suppose it would have been unchristian of the ladies at reception to turn them away.

Feeling unusually discouraged by the quietness I skipped the free Baroque Christmas concert too and re-emerged into the light of day to start my trek uptown.

This is when I like New York City - along the great Avenues - when I have my great impressionistic moments.  Looks like I'm more of a city girl than I'd thought.

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I had told Rick I might visit the Frick Collection, and I was true to my word.  I walked 20 blocks uptown on Park Avenue and then cut across to Fifth, which took about half an hour and soon found myself at this neat little mansion/museum, former home of steel magnate Henry Clay Frick (protege of Andrew Carnegie).

Of all sources outside the collection's website, my longtime subscription The New York Social Diary has perhaps the best pictures of the interior along with a great deal of enlightening social column-style gossip on Mr Frick and his circle.

The Frick is one of the best private collections in America, containing lots of Renaissance bronze sculptures, a few pieces bequeathed by his contemporary John D Rockefeller, a number of Old Masters and medieval Italian panels, some works by Vermeer, Constable, and others I recognized as in:  "Oh, wow! I didn't know this was here."

I also greatly appreciated the small jewel-like Boucher Room (see NYSD), like a tiny and perfect ballroom: candy-toned Boucher wall panels and little Louis XV mechanical tables, complete with 17th century creaking parquet floor shipped from France.

Frick was not a great fan of James McNeill Whistler, yet these musically-themed pieces were perhaps my favorite pieces in the collection.  On a musical theme, L to R:

1 - Harmony in Pink and Grey:  Portrait of Lady Meux, 1881-82

2 - Arrangement in Brown and Black:  Portrait of Miss Rosa Corder, 1876-78

3 - Symphony in Flesh Colour and Pink:  Portrait of Mrs Frances Leyland, 1872-73

4 - Arrangement in Black and Gold:  Comte Robert de Montesquiou-Fezensac, 1891-92

Mr Frick's collection perfectly mirrors his simple personal tastes.  There is little violence, mostly serenity.  According to the video presentation in the Music Room, after a particularly harrowing day, Mr Frick might stroll through the darkened halls to his Gallery, turn on the light, and sit for an hour or more on one couch and then another, absorbing beauty into his soul.